Should the iPhone be considered historically important in the history of photography?

The UCR California Museum of photography recently hosted a chronology of digital cameras. “The End of Film, a Brief History of Digital Cameras, 1987-2009″

It included the 1987 Casio VS-101 .28 mp and ended with the Canon 5D Mark II. Should there have been an iPhone in there? Years from now, will iPhones be included in digital camera chronologies?

At first, I thought, it would be irritating to see an iPhone in a museum for photography. Granted, it is responsible for millions of photographers who would otherwise not take pictures, but what about it makes it particularly important over other camera phones?

Then I thought about the screen. The iPhones huge LCD screen truly advanced cell phone photography due to the large bright screen that provided a satisfying and intuitive platform to view images. The first of its kind to be popularly used. Furthermore, images can be instantly proliferated over the web. Consumer and DSLR cams are behind in this regard, only recently have there been wifi enabled digicams.

Although the process of snapping a DSLR pic and inkjetting is easy enough, with the iPhone, there is no need to even upload the image to a computer. Granted, the resolution is horrible, but the images look great on the screen, so in most cases, there is no need for a clearer lens or more pixels. I find myself sketching with the iPhone, or taking pictures as a form of notes.

In terms of a camera, I would not want the iPhone to sit next to the 5D Mark II. I agree with the decision to put the 5D at the end. For most professionals (journalists, commercial, events), the 5D is benchmark. But the iPhone should be viewed at least as a hyperbolic example of a camera phone and an important phenomenon in photography. Everyone can switch into photographer mode at all times. Images can be instantly viewed or even shared over the internet. The death of film also marks the death of the print. Devices like the iPhone make printing increasingly pointless for casual photographers.

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4×5 checklist

First off all, why shoot 4×5?
It has moar resolution than your friend’s Canon 5D. Maybe 4 times more. If you want as much resolution as a 4×5 in digital, plan on spending $15,000+ dollars.
The film plane is FOUR by FIVE inches. Digital cams, we’re talking about a post-it notes size at most. Trust me, the images look clean.
They are stunningly beautiful cameras. You will have many conversations with random people on the street while using a view camera. You can pick up girls who think they’re “into fine photography.” Really, they’re just into the size of your negative.
The most important part: You will slow down in your photographic experience and understand every component that goes into creating an image. Large format is the slowest camera to use, but in fact is the simplest. You, the photographer control every step of the way.
This is your last chance to use the 4×5 because in 10 years, a $20,000 camera will cost $2000, so in most cases, the 4×5 would be pointless.

What you’ll need
The 4×5, get it off ebay, keh.com, or craigslist. Get a field camera. If you’re reading this guide, you probably don’t want a monorail camera.
Get a lens. New, or off Keh.com. 150Mm is normal.
Darkcloth – you duck your head under this to frame the image. Unfortunately, large format doesn’t have LCD screens.
Cable release – attaches to the lens and allows you to take the image.
Film holders, you load the film into this.
Film – sheet film that comes in packs of 10. One sheet = one image.
A tripod. You cannot create good images without one. The 4×5 is optimized on small apertures and uses low sensitivity film. You will need long shutter speeds and thus need a tripod.

A light meter or a digital SLR camera – pocket cams don’t work because their manual controls are cumbersome to use and they give you numbers that are impossible to calculate with such as f/6.3 at 1/120 of a second at iso 640. DSLRs are a great companion to the 4×5.

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Welcome to f-64.com

f-64.com is started in order to fill a balance between concept-vacant websites for gearheads, such as dpreview.com, kenrockwell.com, luminous-landscape.com, and ramblings on fine art photography that are devoid of technical lessons or casual language. f-64.com explains photography in layman’s terms, but from a contemporary art perspective. We wish to explain to anyone why a re-photograph of a Marlboro cigarette ad could sell for a million plus dollars in auction and why your Canon 5D landscapes will never make you famous.

Photography can be more than taking beautiful photographs and posting them on flickr. We wish to investigate how we can transcend photography as a hobby or even a commercial profession. Many photographers are able to make a living by creating art objects and selling them. You shouldn’t have to go to art school to learn how.

The name f-64.com is of course a tribute to the f/64 group which Ansel Adams, Edward Weston, and Imogen Cunningham were a part of. Yes, they liked shooting on tiny apertures in order to make ridiculously sharp images. More than that, they thought carefully about composition, subject matter, historical context, and photography as a medium with limitations that is not merely a window into another world. With this in mind, f-64.com, strives to engage a conversation about photography being pushed to every boundary of the medium. A conversation that includes form, content, history, trends, business, technology, culture, sociology etc. etc. etc. Living in a world in which everyone owns a camera (and thus, is a photographer), we should learn to speak competently, the language of images.

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Is film photography outmoded in a contemporary art practice?

The question is not to be confused with the debate, “is photography over,” which recently has been the subject of a formal dialogue in the SF MOMA. Thankfully, this question is far less convoluted. Is film dead? Not yet. Not until Fuji and Kodak discontinue their sales. Is film photography undermined by the   resolving power and unlimited clip of modern medium form digital? Increasingly likely. Luminous-landscape.com conducted a fairly scientific comparison test of a 4×5 drum scan vs. the PhaseOne P45 digital (39 megapixels).

http://www.luminous-landscape.com/essays/Cramer.shtml

Cramer states “But how does the P45 do against 4×5 film?  This was THE big question for me.  For years, I have heard ruminations that 40-50 megapixels should be able to match 4×5 film resolution. I was about to see the first actual test of this… The digital files were…(drum roll)…not as sharp—but very close!” This test was conducted 4 and a half years ago in 2006! In resolving power, digital is surpassing 4×5. Now, not everyone has the price of a luxury vehicle to spend on a camera. But consider for a practicing artist the price of film– 2 dollars a sheet, 3 dollars to process it, and arm+leg more to run it through a drum scanner (or the price of a porsche to own one). One only has to shoot 1000 or so frames to be saving money! I believe the 4×5 and a medium format digital truly have “enough” resolution. 30X40 inches no problem. Furthermore, if one wishes to reach the capacity of 8×10, I guarantee it would take less hassle to shoot four frames and stitch them, than to lug around 14 pounds of 8×10 with all the setting up, film loading, and running back and forth to the film lab. Wish to have the “film look?” Tweak the hue or saturation and overlay a film grain pattern in photoshop. Wish to have camera movements? Do it in photoshop or buy one of these: http://dpreview.com/news/1007/10072901sinarpslrsystem.asp


To conclude, practicing photographers who have no intention to include film as part of their content for nostalgic or process-based work or whatever, will switch to digital because it is simply, cheaper and easier. However, I see the next 5-10 years as a final opportunity for people to use 4×5 without having to have this conversation of nostalgic or process based work. I highly encourage people to pick up a beautiful 4×5 for dirt cheap on keh.com, ebay or craigslist, use it, enjoy it, afford it, and in the end, understand and appreciate photography more than future generations who will only understand how to point and shoot. The pentax 645D is only $13,000. That looks like a fuck-load but 10 years from now, one can only imagine. Still, I eagerly await news of a 4×5 digital back.

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